Die Ölgemälde alles Sebastien Bourdon

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70922

Abraham and three angels

Medium Oil on canvas Dimensions 77 x 76 cm

70455

Bacchus and Ceres with Nymphs and Satyrs

Medium Oil on canvas Dimensions Expression error: Missing operand for *51 ?? 77.5 cm

71111

drottning christina

70945

Fall of Simon Magus

Medium Oil on canvas

78134

Karl X Gustav

Date 1652(1652) or 1653(1653) Medium Oil on canvas Dimensions 102 x 82 cm (40.2 x 32.3 in) cyf

76205

King Charles X Gustav of Sweden

1652(1652) or 1653(1653) Oil on canvas 102 ?? 82 cm (40.2 ?? 32.3 in) cjr

87586

Le Camp de Bohemiens

Date 17th century Medium Oil on canvas Dimensions 66.7 x 88.5 cm (26.3 x 34.8 in) cjr

70834

Le crucifiement de Saint Pierre

Medium Oil on canvas Dimensions Unknown

75076

Mineralogist

Date 1883 Medium Oil on canvas cyf

69087

Montpellier

1652-53 olja pa duk 72x58 se

83372

Portrait of Ebba Sparre

. 1653(1653) Medium Oil cyf

96038

Presentation in the Temple

circa 1644(1644) Medium oil on canvas cyf

80674

Queen Christina

Medium Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cjr

84870

Queen Christina

Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cyf

75498

Queen Christina of Sweden on Horseback

1653(1653) Oil on canvas 383 X 291 cm (150.8 X 114.6 in) cjr

77363

Queen Christina of Sweden on Horseback

1653 stor Date 1653(1653) Medium Oil on canvas Dimensions 383 ?? 291 cm (150.8 ?? 114.6 in) cyf

69002

Sacrifice of Noah

c. 1640 oil on canvas

72093

Solomon making a sacrifice to the idols

Solomon making a sacrifice to the idols cjr

84504

The Beggars

Date between 1635(1635) and 1640(1640) Medium Oil on wood Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in). cjr

73396

The Mineralogist

1883 Oil on canvas cjr

Sebastien Bourdon

(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.

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